Fraser Muggeridge studio
Fraser Muggeridge studio (Alexander Conway, Libby Higgins, Fraser Muggeridge and Manon Veyssière) is a graphic design company based in London.
Throughout a wide range of formats, from artists’ books and exhibition catalogues to posters, marketing material, exhibitions, websites, film titles and music, the studio prioritises artists’ and writers’ content over the imposition of a signature style. By allowing images and texts to sustain their own intent and impact, each project is approached with typographic form and letterform playing a key role in arriving at a sympathetic yet subtly alluring object.
Fraser Muggeridge founded and is a tutor at Typography Summer School, a week-long programme of typographic study for recent graduates and professionals, held in London (since 2010) and New York (since 2013). He is a visiting lecturer at The University of Reading (since 2003) on the MA Book Design Course and visiting professor at Iceland University of the Arts, Reykjavík, Iceland (since 2022). He was appointed Professor of Design at Leeds Beckett University in 2023 and is a member of Alliance Graphique Internationale (AGI).
He completed a practice-based PhD entitled ‘A Knowing Wrongness: Innovation in graphic design through combinations of traditional mastery and deliberately unconventional techniques’ at RMIT, Melbourne, Australia, in January 2022 (watch examination video here).
Creative Typesetting for Editorial Projects is an online Domestika course for anyone interested in graphic design and typography that explains how to apply practical typographic details to a piece of text to communicate tone, feeling, and emotion. It covers principles of typography, the importance of printing at actual size, the paragraph, grids and marginalia, mathematics, letter and word spacing, typographic detail, paragraph shape and lots more (go to course here).
Work is held at the Special Collections at Chelsea College of Arts Library, London; Tate, London; The Metropolitan Museum of Art, New York; The Museum of Modern Art Library, New York; British High Commission Dhaka, Bangladesh; The Stedelijk Museum, Amsterdam, Iceland University of the Arts, and The Customs Office, Brussels.
Fraser Muggeridge studio archive
Fraser Muggeridge studio archive is housed in the Lettering, Printing and Graphic Design Collections at the Department of Typography & Graphic Communication, University of Reading. It is accessible to students and researchers or anyone who wants to look at the work of a small independent practice in the first two decades of this century. With approximately 2,000 jobs including printed matter, notebooks and preparatory material, it will grow with new material added on a yearly basis.
Word Records
The World’s Largest Enlarged Letter is a project initated by Fraser Muggeridge in 2014 to set the world record for the largest enlarged letter made using a photocopier and A4 sheets of paper. The record has been broken four times and is currently held by Tom Craner-Buckley at 32,000pt.
There are 6 rules which must be followed for the record to be officially recognised. (1) Name of font and size of letter at start and finish. (2) Only a photocopier to be used. (3) Enlargements are started (and made) from A4 paper. (4) Each stage is an enlargement of 200% using A4 paper. (5) Name/s, date and place recorded. (6) All stages are documented and submitted for official adjudication. For enquires and new world record submissions contact us here.
This website was designed with and coded by Wolfram Wiedner, and updated by Public Office in 2015.
Teaching and Workshops
2024
Tutor and organiser, Typography Summer School, London
Tutor, Typography Summer School, New York
Leeds Beckett University
Iceland University of the Arts, Reykjavík, Iceland
2023
Visiting tutor, MA Communication Design, Department of Typography & Graphic Communication, University of Reading
University of Applied Arts Vienna, Austria
University of Applied Sciences and Arts, Bielefeld, Germany
HEAD Geneva, Switzerland
École Supérieure d’Art et Design, Valence, France
Iceland University of the Arts, Reykjavík, Iceland
2022
Visiting tutor, MA Communication Design, Department of Typography & Graphic Communication, University of Reading
École Supérieure d’Art et Design, Valence, France
Elisava, Barcelona, Spain
Iceland University of the Arts, Reykjavík, Iceland
2021
Konstfack, Stockholm, Sweden
Visiting tutor, MA Communication Design, Department of Typography & Graphic Communication, University of Reading
V&A Digital Workshop (online)
Cement Fields (online)
2020
Visiting tutor, MA Communication Design, Department of Typography & Graphic Communication, University of Reading
Tutor, Being Here Now Summer School (online)
Visiting tutor, Camberwell College of Art, London
2019
Coulsdon College, Croydon
Visiting tutor, MA Communication Design, Department of Typography & Graphic Communication, University of Reading
South Essex College, Southend-on-Sea
Tutor and organiser, Typography Summer School, London
Tutor and organiser, Typography Summer School, Los Angeles
Iceland University of the Arts, Reykjavík, Iceland
Imperial College London
Visiting tutor, Camberwell College of Art, London
2018
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor, Typography Summer School, New York
Tutor and organiser, Typography Summer School, London
The Design Museum, London
Visiting tutor, Camberwell College of Art, London
The Royal Academy of Fine Arts (KASK), Ghent, Belgium
Institute of Fine Arts, University of Chittagong, Bangladesh (with Eleanor Vonne Brown)
Dhaka Art Summit, Dhaka, Bangladesh
2017
Falmouth University
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor, Typography Summer School, New York
Museum of Contemporary Art and Design (MCAD) with CGK Formaprint, Manila, The Philippines
Tutor and organiser, Typography Summer School, London
Iceland University of the Arts, Reykjavík, Iceland
Rabbits Road Institute, London
Workshop leader, York University, Toronto, Canada
Visiting tutor, Camberwell College of Art, London
MA Type Design, Department of Typography & Graphic Communication, University of Reading
London College of Communication
2016
Visiting tutor, Camberwell College of Art, London
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
University of Southampton
Tutor, Typography Summer School, New York
De La Warr Pavilion (as part of Willem Sandberg: from type to image)
2015
Iceland University of the Arts, Reykjavík, Iceland
University of the Arts Bremen, Germany (with Eleanor Vonne Brown)
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor, Typography Summer School, New York
Tutor and organiser, Typography Summer School, London
Bauhaus-Universität Weimar, Germany (part of PROJEKTIL)
Academy of Fine Arts and Design, Leipzig, Germany
Tutor and organiser, Typography Summer School, Melbourne, Australia
Visiting tutor, Camberwell College of Art, London
2014
Winchester School of Art
Welling School, London
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor, Typography Summer School, New York
Workshop leader, York University, Toronto, Canada
Visiting tutor, Camberwell College of Art, London
2013
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor, Typography Summer School, New York
Tutor and organiser, Typography Summer School, London
Visiting tutor, Camberwell College of Art, London
2012
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Visiting tutor, Camberwell College of Art, London
Tutor and organiser, Typography Summer School, London
Workshop leader, After School Club, University of Art & Design Offenbach, Offenbach am Main, Germany
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
2011
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor and organiser, Typography Summer School, London
Visiting tutor, Camberwell College of Art, London
2010
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
Tutor and organiser, Typography Summer School, London
2009
Visiting tutor, MA Book Design, Department of Typography & Graphic Communication, University of Reading
2008
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
2007
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
2006
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
2005
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
2004
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
Visiting tutor, Chelsea School of Art & Design, London
2003
Visiting tutor, BA Graphic Communication, Department of Typography & Graphic Communication, University of Reading
Talks
2024
October
Typography Theory Practice, Leeds Beckett University
Miss Read, Conceptual Poetics Day, Berlin, Germany
AGI Open, Basel, Switzerland
September
Dundee Design Festival, Scotland
Hugarflug, The Tacit Knowledge, conference at Iceland University of the Arts, Reykjavík, Iceland
June
RMIT, Melbourne, Australia
The Capital, Melbourne, Australia (as part of Rising Festival)
May
Estonia Academy of Arts, Tallinn, Estonia
Kunsthal Gent, Ghent, Belgium (as part of The Ghent Art Book Fair)
April
Other Means, New York
Disseny Hub Barcelona, Spain
March
Northumbria University, Newcastle
February
University of Leeds
Manchester School of Art, Manchester (as part of Bunker Talks, in conversation with Andrew Hunt)
2023
December
Hochschule für Angewandte Wissenschaften, Hamburg, Germany
Whitechapel Art Gallery, London
November
Leeds Arts University, Leeds
Haggerston School, London
October
Department of Typography & Graphic Communication, University of Reading
No Show Space, London
Iceland University of the Arts, Reykjavík, Iceland
May
Hochschule Düsseldorf, Germany
University of Applied Sciences and Arts, Bielefeld, Germany
March
HEAD Geneva, Switzerland
January
Leeds Beckett University
2022
July
International Conference on Typography & Visual Communication, Thessaloniki, Greece
May
Elisava, Barcelona, Spain
March
Glasgow School of Art
Edinburgh Napier University
2021
December
Konstfack, Stockholm, Sweden
Iceland Academy of the Arts, Reykjavík, Iceland
November
Yale School of Art, USA
July
Ultrafett Typography Festival, FH Bielefeld, Germany (watch here)
March
University of Leeds
January
University of Greenwich, London
2020
September
Berghs School of Communication, Stockholm, Sweden
Being Here Now Summer School (online)
June
Hochscule Dusseldorf, Germany
April
Creatives at Home, an initiative by Folch
February
Everpress, London
January
University of the Arts Berlin, Germany
2019
October
Goldsmiths CCA, London (with Scott King)
Department of Typography & Graphic Communication, University of Reading
Post Festival, Copenhagen
Camberwell College of Art, London
June
HMCT, ArtCenter College of Design, Los Angeles
May
House of Illustration, London
March
Exemplaires, formes et practiques l’édition, 3rd Biennale, Rennes, France
2018
November
Department of Typography & Graphic Communication, University of Reading
RMIT Europe, Barcelona (as part of The Anatomy of the Book Conference)
Central Saint Martins Foundation, London
October
Vancouver Art Book Fair, Vancouver, Canada
Emily Carr University of Art + Design, Vancouver, Canada
July
Chelsea Space, London
May
Offprint, London (with Hayley Dixon and Nina Wakeford)
Kunsthall Trondheim, Trondheim, Norway
Grafill, Oslo, Norway
April
London Book Fair, London
Tokyo Type Directors Club, Tokyo, Japan
March
The Royal Academy of Fine Arts (KASK), Ghent, Belgium
Typography Day 2018, Sir JJ Institute of Applied Art, Mumbai, India
February
Winchester School of Art
The Ruskin School of Art, Oxford
Institute of Fine Arts, University of Chittagong, Bangladesh
January
Turf Projects, London
2017
November
Grafill, Oslo, Norway
October
Falmouth University
September
Seen Fifteen, London (as part of burning with pleasure 3)
July
Team Manila (with Jowee Alviar), Manila, The Philippines, organised by the British Council Philippines
June
Karlsruhe University of Arts and Design, Karlsruhe, Germany
March
York University, Toronto, Canada
PAGES Leeds, International Contemporary Artists’ Book Fair
February
Central Saint Martins, London
Canterbury University
January
Fedrigoni, London
2016
December
Royal College of Art, London
October
Royal College of Art, London
Department of Typography & Graphic Communication, University of Reading
PrintRoom, Rotterdam, The Netherlands
Wimbledon College of Art, London
September
De La Warr Pavilion (as part of Willem Sandberg: from type to image), with Carolien Glazenburg
August
British Art Show 8, Norwich
July
Modern Art Oxford
June
Whitechapel Gallery, London
February
Nicer Tuesdays, It’s Nice That, London
January
London College of Fashion
University of Brighton
London College of Communication
Bath School of Art & Design, Bath Spa University
2015
December
Tokyo University of the Arts, Tokyo, Japan
Iceland Academy of the Arts, Reykjavík, Iceland
November
Leeds Beckett University, Leeds
Ravensbourne, London
Wimbledon College of Art, London
University of the Arts Bemen, Germany
October
Letterform Live, Architecture night (organised by Grafik and Monotype), London
William Morris Gallery, London
August
In Conversation with Eleanor Vonne Brown and Alex Rich, g39: B - Artists’ books fair, Cardiff
April
Bauhaus-Universität Weimar, Germany (part of PROJEKTIL)
Academy of Fine Arts and Design, Leipzig, Germany
March
University of Leeds
Wimbledon College of Art, London
February
Künstler, Brisbane, Australia
RMIT, Melbourne, Australia
January
The Typographic Circle
2014
November
Selected E, Graphic Design from Europe, Bilbao, Spain
The Ruskin School of Drawing & Fine Art, Oxford
Bridge Academy, Hackney, London
July
26th International Biennial of Graphic Design Brno 2014, Czech Republic
May
Motto, Berlin, Germany
Typo Berlin, Germany
March
Camberwell College of Art, London (workshop as part of Into the Fold)
February
Art Metropole, Toronto, Canada
York University, Toronto, Canada
January
Modern Art Oxford (with Eric Kindel and Tom Bloor)
2013
December
St Bride Library, London (part of Eye Magazine Archive night)
November
The Book Club, London (panel discussion for Crowd Talks: Design Sorcery)
Design Terminál, Budapest, Hungary (part of Graphifest)
October
Royal College of Art, London
London College of Fashion
ATypI (Association Typographique Internationale) conference, Amsterdam
Werkplaats Typografie, Arnhem, The Netherlands
July
Círculo Creativo London (Big Talkers: Process)
April
Museum of Modern Art in Warsaw, Poland (and screening), with Will Rose
Hannah Barry Gallery (as part of L.I.E in London)
March
Bold Italic 2013, Kunstencentrum Vooruit, Gent
Winchester School of Art
February
St Bride Library, London (panel discussion as part of Ken Garland: A graphic celebration)
Leeds Metropolitan University, Leeds
2012
December
Royal College of Art, London
November
Chelsea School of Art & Design, London
September
The London Art Book Fair, Whitechapel Art Gallery (in conversation with Lisa Le Feuvre)
May
Design Museum, London (part of Designer Night: GraphicDesign& Great Expectations)
Winchester School of Art
April
After School Club Conference, University of Art & Design Offenbach, Offenbach am Main, Germany
March
University of East London
School of Design, Northumbria University, Newcastle upon Tyne
ICA, London (In Numbers: Touring Talk)
Camberwell College of Art, London (part of Into the Fold)
February
Ultralounge, Selfridges, London (part of Words, Words, Words,
curated by It’s Nice That)
The Ruskin School of Drawing & Fine Art, Oxford
January
Spike Island, Bristol
Norwich University College of the Arts, Norwich
2011
December
On a train somewhere between Chennai and Vishakhapattanam, India (part of Jagriti Yatra)
November
Central Saint Martins College of Art and Design, London
October
Eastside Projects, Birmingham (part of Public Evaluation Event)
July
Bloomberg SPACE, London
April
University of East London
The Gopher Hole, London (part of Pretty―Ugly)
March
London College of Communication
Central Saint Martins College of Art and Design, London
February
Royal College of Art, London (part of Open Books)
Symbiosis Institute of Design, Pune, India
National Institute of Design, Ahmedabad, India
January
Cafe Curio, Camden Arts Centre, London
2010
December
Focal Point Gallery, Southend-on-Sea
November
University of Huddersfield
Royal College of Art, London
Galeria Design, BWA Wrocław, Poland
October
The Russian Club, London (part of ISTD-Stammtisch 1: Talking Books)
May
Camberwell College of Art, London (part of Key Ideas Design Symposium)
April
International Project Space, Birmingham
Royal College of Art, London
March
Winchester School of Art
February
London College of Communication
2009
October
Royal College of Art, London
May
The University of East London
2008
September
Rochelle School, London (for Art on the Underground)
2007
October
London College of Communication
Curated exhibitions
Spinorama: an exhibition of interesting spines
curated with Aslak Gurholt
London Centre for Book Arts
6 July – 17 August 2024
Dieter Rot: Graphic Design
curated with Arnar Freyr Guðmundsson and Birna Geirfinnsdóttir
Museum of Design and Applied Art, Iceland
28 October – 30 December 2022
Holy, Holy, Holy: an exhibition of books with holes
curated with Inscription Magazine and Aslak Gurholt
No Show Space
6 – 30 October 2021
Table Temple 3: Pontus Hulten: Moderna Museet, graphic design
22 February – 10 March 2019
Same Same but Different (part of Out of the Box)
Brno Biennial, Czech Republic
10 May – 26 August 2018
Table Temple 2: Books designed by Pierre Faucheux
in collaboration with Mónica Oliveira
14 December 2016 – 3 January 2017
Table Temple 1: Bits and Bobs
1 September – 8 December 2016
Image Text Time
Exhibition screening at Brno Biennial, Czech Republic
in collaboration with Will Rose
16 June – 30 October 2016
#75
An exhibition of Focal Point Gallery’s series of printed matter 2009–2016
Focal Point Gallery, Southend-on-Sea
17 July – 2 October 2016
Willem Sandberg: from type to image
De La Warr Pavilion, Bexhill
in collaboration with Carolien Glazenburg, Stedelijk Museum, Amsterdam
30 April – 4 September 2016
Graphics Interchange Format: 25 Years of Focal Point Gallery
Focal Point Gallery, Southend-on-Sea
21 July – 17 October 2015
Towards an alternative history of graphic design: Schmuck, POP, bRIAN, Assembling
De La Warr Pavilion, Bexhill
8 August – 4 October 2015
Selected exhibitions
Imposed Alphabet
Produit Rien, Montreal, Canada
November 2024
Imposed Alphabet
Mountain Eye, Hobart, Tasmania
August 2024
Imposed Alphabet
RMIT, Melbourne, Australia
June 2024
Imposed Alphabet
Kunsthal Gent, Belguim
May 2024
Imposed Alphabet
Other Means, New York, USA
April 2024
Imposed Alphabet (Solo exhibition)
No Show Space, London
13 – 21 October 2023
Blank. Raw. Illegible… Artists’ Books as Statements (1960-2022)
Leopold-Hoesch-Museum, Düren, Germany
14 May – 3 September 2023
Haettenschweiler from A to Z – Creator of Typefaces, Graphic Designer, and Artist
Museum für Gestaltung Zürich, Switzerland
13 October 2022 – 19 February 2023
Change Everything
The Depot
5–28 November 2021
Lightboxes & Lettering
Bow Arts Trust, London
17 January – 29 March 2020
Entre Amis Deux
French Riveriera 1988, London
5 December – 15 December 2019
Ce n’est pas la taille qui compte (It’s not the size that matters)
Maison Nationale des Artistes, France
13 September – 16 December 2018
Works on Books
Kunsthall Trondheim, Norway
19 April – 16 May 2018
Tokyo Type Directors Club Exhibition 2018
Ginza Graphic Galley, Tokyo, Japan
4–28 April 2018
Words on Books
Grafil R21, Oslo, Norway
9–26 November 2017
Sign of the Times
Protein Gallery, London
11–13 September 2015
Los Angeles 2019 presents - Edge of Human
Offsite, London
14–20 November 2014
Mimeographica Alphabetica (Solo exhibition)
Whitechapel Gallery, London
4 October – 30 November 2014
English Magic Remix (with Jeremy Deller)
Crate, Margate
10 October 2015 – 11 January 2015
Glory Glory
Hoxton Arches, London
August 2013
Whatever Next: A Discourse on Typography
Kemistry Gallery, London
4–20 October 2012
Live In Your Head: Codex
8–28 October 2011
Institut curatorial de la Head – Genève
Rue du Beulet 4, 1203, Geneva, Switzerland
Outrageous Fortune: Artists Remake the Tarot
Focal Point Gallery, Southend-on-Sea
4 July – 27 August 2011
Touring to: Queens Hall Arts Centre, Hexham; Jersey Arts Centre, St Helier; mac, Birmingham; Holden Gallery, Manchester; University of Hertfordshire Galleries, Hatfield; Bedales Gallery, Petersfield
The Art of Lost Words
Peninsula Arts Gallery, Plymouth
19 March – 28 April 2011
Open Books
Royal College of Art, London
21–27 February 2011
The Way Beyond Art: Wide White Space
The Wattis Institute for Contemporary Arts, San Francisco
20 January – 5 February 2011
Working Drawings
Sheffield Institute of Arts Gallery
10–24 December 2010
Reverting to Type
Standpoint Gallery, London
10 December 2010 – 22 January 2011
BOOK SHOW
Eastside Projects, Birmingham
3 July – 4 September 2010
Designed by Fraser Muggeridge studio (Solo exhibition)
Kaleid Editions, London
31 March – 25 April 2010
Reading For Reading’s Sake
Islington Mill, Manchester
9–11 April 2010
Olympik: 39 Sports, 39 Designers, 39 Posters
German Gymnasium, London
22–24 September 2009
Publications edited
Dieter Rot: Graphic Design, 2022 (with Arnar Freyr Guðmundsson and Birna Geirfinnsdóttir)
The Form of the Book Book, Occasional Papers, 2009 (with Sara De Bondt)
The Master Builder: Talking with Ken Briggs, Occasional Papers, 2009 (with Sara De Bondt)
Articles written
‘To line up or not to line up, that is the Question’ Composite: Histories, techniques et technolgies du design graphique et de l’image, No.4, 2023
‘Bookshelf’, It’s Nice That, October 2016
‘Curiosities, graphic resources, gestures, typographic starting points’, Threaded, No. 18, 2015, pp.48–55
‘Life in Design: An alternative history of graphic design’, Frieze, No.169, March 2015
‘Freestyling text and image: The Graphic World of Paul Peter Piech’, Eye Magazine Blog, March 2014
‘Ken Briggs: 1931–2013’, Eye Magazine Blog, January 2014
‘Books and Sculpture’, Essays on Sculpture, No.67, Henry Moore Institute, 2013, pp.5–36 (With Lisa Le Feuvre)
‘Do it yourself’, Eye, No.78, Vol.20, 2010, pp.56–57, pp.26–27
‘Process’, About your process, Manystuff, 2010, p.10
‘Typography with words’, Eye, No.75, Vol.19, 2010, pp.26–29
‘Mapping New York’, Grafik, No.180, 2009, pp.86–87
‘Introduction’ to Emerge catalogue, 2009
‘Asymmetrical Typography’, Grafik, No.171, 2009, p.52
‘Fully Booked vs. Jan Tschichold’s The Form of the Book’, Eye blog, 2009
‘New Johnston Book Bold Full Stop and Comma’, Grafik, No.166, 2008, pp.78–79
‘An invisible Art’, Design Week, 2008
Featured in books
The Graphic Design Bible, Ilex, 2023, pp. 120-21
‘A Knowing Wrongness’, Graphic Events: A Realist Account of Graphic Design, Nick Deakin and James Dyer, Onomatopee, 2022, pp.165-181
‘Lettering and Typography: Inconstantly Consistent’, Barnett Freedman: Designs for Modern Britain, Pallant House Gallery, 2020, pp.115-121
Who the Hell is Müller-Brockmann?, Demian Conrad, Niggli, 2022, pp.55–66
28th Brno Biennial Catalogue, The Moravian Gallery in Brno, 2018
27th Brno Biennial Catalogue, The Moravian Gallery in Brno, 2016, p.216
EIGENGRAU, 25th Chaumont Design graphique, Chaumont design graphique editions, 2014, pp.157–172
Fully Booked, Gestalten, 2013, p.43
Posters from the Icograda Archive, 2013, London College of Communication, p.22
Eady Forum, Royal College of Art, 2013, pp.34–48
Introducing: Culture Identities, Gestalten, 2013, p.233
Type Compass: Charting New Routes in Typography, SHS Publishing, 2012, pp.66–67
Whatever Next: a discourse on typography, Camberwell Press, 2012, pp.60–73
The Language of Graphic Design, Richard Poulin, Rockport, 2011, p.91, 135
Common Interests: Documents, Emmi Salonen, Index Book, 2011, pp.70–71, 80–81, 94–95, 164–165
Business Cards, Liz Farrelly, Laurence King, 2004, p.258
The new handmade graphics, Anne Odling-Smee, RotoVision, 2002, p.103
Featured in magazines
Eye, No.104, Vol.26, 2023, p.57
CA, 260, 2022, p.78–83
form, No.292, June 2021, p.41–61
Artists Newsletter #3: The 2000s
Page, 10.20, 2020,p.46–47
Eye, No.100, Vol.25, 2020, p.30–37
Swim Magazine, No.3, 2019, p.50–58
Idea, No.371, 2015, cover and p.12
Novum, 2105, pp.70–75
Some Magazine, Issue 8, 2014, pp.128–135
YCN Student Annual, 13/14, 2014, pp.6–15
Eight:48, No.3, 2010, p.33
Grafik, No.186, 2010, p.44
Grafik, No.182, 2010, p.27
Kak, No.52, 2009, p.43
Monocle, No.28, Vol.3, 2009, p.6
Grafik, No.175, 2009, p.35
Grafik, No.171, 2009, p.27
Grafik, No.170, 2009, pp.55–57
Designers’ workshop, no.157, 2008, p.68
Grafik, No.169, 2008, p.24
Visual, No.135, 2008, pp.69–74
Grafik, No.168, 2008, p.24
Grafik, No.163, 2008, pp.22–24, 56–57
Grafik, No.159, 2008, pp.40–51
Grafik, 2007: A Year of Great Graphic Design, 2008, pp.59–61
Eye, No.65, Vol.17, 2007, p.33
Grafik, No.158, 2007, p.61
Idea, No.316, 2006, pp.80–81
Video
Spirit Duplicating with Fraser Muggeridge, London, September 2022
PhD Examination Presentation, RMIT, Melbourne Australia
Ultrafett Typography Festival, FH Bielefeld, 2021
Edward Johnston: A Memorial in Type, 2019
A Knowing Wrongness, TypoDay 2018, Mumbai, India, 2018
Foil Block Retrospective, 2016
Designing for Galleries, Modern Art Oxford, July 2016
The Story of Héliophore, Nicer Tuesdays, March 2016
UTOPIA 2016 Launch, Somerset House, February 2016
Towards an alternative history of graphic design Schmuck, POP, bRIAN, Assembling, De La Warr Pavilion, August 2015
Life in Design, Frieze video, March 2015
Mimeographica Alphabetica, Whitechapel Gallery, September 2014
New Rave Typography, Typo Berlin, Germany, May 2014
Thinking about Design, REcreative, September 2013
Words as Images, It’s Nice That, February 2012
Audio / Podcasts
One Below Thirty, Pirated Radio Network
Monocle on Design
Scratching the Surface
Square Podcast
Everpress: Type in Focus
Scaffold Podcast
Awards
Gold medal (with Laurie Robins)
The 6th Annual Regents Canal Raft Race, 2014
Lark Rise Lower School Christmas Card Competition, first prize, 1981
D&AD
Wooden Pencil, 2015
In Book, 2010
In Book, 2009
In Book, 2008
LAUS
Bronze award, 2016
Tokyo Type Directors Club
Prize Nominee featured in book, 2023
Prize Nominee featured in book, 2020
Prize Nominee featured in book, 2019
Book Design Prize, 2018
Prize Nominee featured in book, 2018
Prize Nominee featured in book, 2017
Prize Nominee featured in book, 2016
Prize Nominee featured in book, 2013
Prize Nominee featured in book, 2012
Prize Nominee featured in book, 2011
Prize Nominee featured in book, 2010
Other
Organiser of Typography Theory Practice Conference, Leeds Beckett University, 2024
Judge: Laus Awards, 2024, Barcelona
External Examiner, Iceland Academy of the Arts, Reykjavík, Iceland, 2022
The Anatomy of the Book, conference at RMIT Europe, Barcelona, 2018 (with Brad Haylock)
Recipient of the Fall 2018 Audain Distinguished Artist-in-Residence, Emily Carr University of Art + Design
Judge: Laus Awards, 2014, Barcelona
Judge: D&AD Awards 2010 (graphic design category)
Curator: The Form of Book, conference at St Bride Library, London, 2009 (with Sara De Bondt)
Guest Judge: Emerge, 2009
Judge: Fedrigoni London Showroom Awards, 2009